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In this 1934 drawing, executed just a few months before "The Unknown Masterpiece," there is a similar spear in an almost identical location, placed horizontally along the upper edge of the composition.
The drawing also contains a severed arm and a mortified Marie-Therese, motifs which both reappear in "The Unknown Masterpiece"
In "The Unknown Masterpiece," the spear not only relates to Picasso's identification with Christ and the Picador in the corrida, but also with an important scene from Wagner's "Parsifal".